Improved Quaker's Cocktail

I spent a lot of time with the Savoy Cocktail Book when working on recipes for Classic Cocktails. Playing around with the old books is particularly fun when a recipe catches your eye and makes you say, ‘wait, why haven’t I had that before?” This was the case with the Quaker’s Cocktail, an oddly-monikered concoction recorded thus by Harry Craddock:

Quaker’s Cocktail (Savoy)
1/3 Brandy
1/3 Rum
1/6 Lemon Juice
1/6 Raspberry Syrup

I’d never heard of it before, so I didn’t think I could justify including it as a ‘classic’ for the purposes of the book, but something about it struck me. It seemed like it would be good, or could be good. I marked the page for future reference, but I kept thinking about it. Weeks later, once I could begin making non-book cocktails again, I decided to take it for a spin.

Note that Harry Craddock’s measurements are fractions of the overall drink. 3 oz. is a pretty standard size for a cocktail, so you could read the above as:

Quaker’s Cocktail (U.S. Customary Units)
1 oz. Brandy
1 oz. Rum
½ oz. Lemon Juice
½ oz. Raspberry Syrup

Craddock recommends shaking, and I agree. I also feel very confident that this is a drink for an aged rum, not a white one.* I have a bottle of bourbon-barrel aged Granite Coast Rum from New Hampshire which has been my go-to during the lockdown (I had two bottles of it when this started). The Gensac Cognac I’ve been using lately joined it, along with fresh lemon juice and some of that oh-so-tasty homemade raspberry syrup I wrote about a while back.

It…wasn’t quite there. I mean, it was tasty, sure, but something was missing. The pieces didn’t harmonize the way I felt they should.

On the one hand, this meant my original question was answered: I’d never had this drink before because it was merely OK. But on the other hand, I was certain there was a really delicious drink in there somewhere. I just had to find it.

I’ll be honest, my memory of my process is a little shaky at this point. But I know that I took inspiration from Chad Arnholt’s Ward Eight recipe, which is my oft-recommended personal favorite.† To really make the raspberry pop, I dialed it up by a quarter of an ounce. And to bridge the gap between the bright, assertive sour of the fresh lemon juice and the rest of the ingredients, I worked in a bit of orange, and mixed a drink that looked something like this:

Quaker’s Cocktail Variation (Pseudo-Arnholt)
1 oz. Cognac
3/4 oz. Aged Rum
3/4 oz. Raspberry Syrup
1/2 oz. Lemon Juice
1/4 oz. Orange Juice

Shake, strain, serve up.

A couple of things to note here. First of all, people like to hate on orange juice as a cocktail ingredient these days. It’s not as sour as other citrus, it’s not as sweet as other ingredients, the flavor isn’t assertive enough so you have to use too much of it and water down the drink - yadda yadda whatever.

As has been noted by some very intelligent people, oranges today may not taste like they did early in the 20th century, when the Ward Eight and the Blood and Sand were gaining steam. It may be the case that our forebears had access to more cocktail-amenable citrus than we do. But that doesn’t mean we can’t work with what we do have, and fresh orange juice is still a wonderfully fragrant and tasty ingredient. Like any tool, you just have to understand the purpose to which it’s best suited.

In several drinks, the Arnholt Ward Eight among them, orange is a way of adding a little citrus brightness and acidity to a drink that would be overpowered by lemon or lime juice or the oil from a citrus-peel garnish. It’s a subtle addition. If lemon, syrups, and spirits are the building blocks of a drink, orange is the mortar that fills the gaps and makes the recipe work. It isn’t most of what you’ll see; if it’s well done, you may not even notice it’s there. But the role it plays is essential.

Put another way, orange juice doesn’t really work like a juice in mixed drinks. You use it the way you’d use other tricky ingredients, like maraschino, crème de violette, and kirschwasser: a quarter of an ounce at a time, unless you have a very good reason for a heavier pour.

This reasoning led me to this slight interpolation of the Ward Eight, which I doctored further as I went. Craddock was right that the brandy and rum should be equal partners in this, and I rapidly added an extra 1/4 oz of rum to balance it out; that also brought the overall ethanol more into line with the Arnholt Ward Eight, which is designed for a 100º whiskey.

It still needed a finishing touch, so as I often do in that situation, I added a dash of Peychaud’s. That’s when it really started to sing. I made a fresh batch incorporating those adjustments and confirmed its deliciousness:

Improved Quaker’s Cocktail
1 oz. Cognac
1 oz. Aged Rum
3/4 oz. Raspberry Syrup
1/2 oz. Fresh Lemon Juice
1/4 oz. Fresh Orange Juice
2 dashes Peychaud’s Bitters

Shake. Double strain into a chilled coupe.

This is the drink I was looking for when I first spotted the Quaker’s Cocktail in the Savoy. I knew it was in there somewhere.

I do think the final recipe is different enough that it should have a different name. The ingredients and 2:1:1 proportions were broadly agreed upon for the first couple of decades after it appeared in print, including by both of the Two Great Harries of Prohibition (Craddock and MacElhone). Or so I learn from the only serious treatment of the drink’s history I’ve yet found, written in German by Armin Zimmermann of Bar Vademecum and gamely translated by Google.

Armin’s article also reprints a few dozen recipes for the Quaker’s Cocktail, from books going back to 1923. Orange does show up twice, including in a 1948 recipe from Trader Vic, although in both of its appearances it’s replacing the lemon juice rather than supplementing it. I could probably get away with saying I was splitting the difference with my version and stick to the ‘Quaker’ moniker, but not one single recipe in the entire list uses bitters of any kind.

So, the question now is what to call the new one. Please feel free to comment or email me with your opinions! In the meantime, here’s my shortlist:

• Fighting Quaker - A nickname of Nathanael Greene, a Revolutionary War general from Rhode Island who was also dubbed the Savior of the South for his successes in that theater of the war. Nods at the drink’s heritage, the geographic origins of the added ingredients, and my strong affection for New England. Also feels more like the name of a cocktail than “Quaker’s Cocktail” does. I’d say this is the leading candidate right now.

• Canaveral - Did you know Richard Nixon was a Quaker? And although it was Kennedy who promised we’d get to the moon by the end of the decade, Nixon was president when we actually got there. It’s a deeper cut, but I got here by saying, “Hmm. Oranges. Florida. What’s the strongest connection I can make between Quakers and that?” And like ‘Fighting Quaker,’ it’s really not a bad name for a drink.

• Society of Friends - Too on the nose? Perhaps. It’s a version of the term Quakers use for themselves, and I like that it’s also a direct quote from George Pierson’s line about Yale. But there’s still something strange about naming a drink after a booze-skeptical religious group, particularly now that Prohibition is over. (“Fighting Quaker” does this too, but it highlights the irony and doubles down on it, which I think makes much more sense.)

Notes
(*) Erik Ellestad of Savoy Stomp went the other way on both, but he found the result underwhelming.

(†) For a refresher:

Ward Eight
1 3/4 oz. 100º Rye
3/4 oz. Grenadine
1/2 oz. Lemon Juice
1/4 oz. Orange Juice

Shake, strain, serve up.

Eagle-eyed readers may note that I also drew on this structure for the Applejack Rabbit recipe published in the last post. Arnholt hit this one out of the park.

Classic Cocktails: Last Call

(This post is part of a series that I’m using to help write my next book, the new edition of 100 Classic Cocktails, and provide inspiration for home bartenders in these times of social distancing. Some of the recipes are ones I’m trying to workshop, and I’m asking my readers to test the recipes at home if able and send me their thoughts on the questions I have. Others are ones I think I’ve nailed that can be easily made with common household ingredients, and I’m sharing them to help my readers keep their spirits up while spending a lot more time at home than usual. I’ll always specify which is which. For more background on all of this, including the book, you can check out the first post in the series here. All posts will be tagged “(100) Classic Cocktails”.)

My manuscript deadline is looming, so this post will be the last opportunity to influence the contents of Classic Cocktails before it comes out! To that end, I’m skipping the history and the theory and just listing the cocktails I have lingering questions about. If you have feedback on any of these, give me a shout at info@herzogcocktailschool.com as soon as you can!

Don’t worry, I’ll still keep this blog series going after the manuscript is done. There’s a lot that I’ve learned that I’d like to share, and plenty more of these recipes are easy to make at home in a socially distant world. (Plus I now have an interesting story about the Lemon Drop, which is a sufficiently unexpected outcome of all this that I think I have to share it.)

In the mean time, however, if you’d like to help me out and/or see your name in print in the book’s acknowledgements, mix up one of these and tell me what you think:

Diamondback

(Lower-Octane, Original Version)
1½ oz. ~80-proof Rye
¾ oz. ~80-proof Apple Brandy
½ oz. OR ¾ oz. Yellow Chartreuse

Stir with ice. Strain into a chilled cocktail glass. Garnish with maraschino or brandied cherries.

(Higher-Octane, Contemporary Version)
1½ oz. ~100-proof Rye
¾ oz. ~100-proof Apple Brandy
½ oz. OR ¾ oz. Green Chartreuse

Stir with ice. Strain into a chilled cocktail glass. Garnish with maraschino or brandied cherries.

Question(s): Did you try the lower- or higher-octane version? Within that version did you try it with ½ oz. or ¾ oz. of the Chartreuse variety specified? Did you find it well-balanced, too spirit-forward, too sweet, not spiritous enough, or not sweet enough?

(Inconveniently, this is both alphabetically first and the one on the list that has the most permutations to inquire about. Your feedback on any one of them will be helpful data in working out an overall consensus; the rest of these are much more straightforward.)

Gin Rickey
1½ oz. Old Tom Gin or London Dry Gin
Juice of ½ Lime
3 oz. Club Soda

Juice half a lime into a highball glass. Add ice, gin, and club soda, and stir. Garnish with the spent lime shell.

Question(s): Is this palatable or too sour? Does it need more soda, more gin, or both?

Jasmine
1½ oz. Gin
¾ oz. Lemon Juice
½ oz. Campari
½ oz. Curaçao or Triple Sec

Shake. Strain into a chilled cocktail glass.

OR

1½ oz. Gin
¾ oz. Lemon Juice
¼ oz. Campari
¼ oz. Curaçao or Triple Sec

Shake. Serve without ice.

Question: Is this better with the extra ¼ oz. each of Campari and curaçao, as in the top recipe; or without, as in the lower?

Margarita
2 oz. Blanco Tequila OR 1½ oz. Blanco Tequila
½ oz. Triple Sec
½ oz. Lime Juice
1 tsp. Simple Syrup (or agave syrup, or another sweetener)

Shake with ice. Strain into a chilled cocktail grass with a salted rim. Garnish with a lime wheel.

Question(s): Is this better with the additional ½ oz. of tequila, or without? Additionally, what sort of sweetener did you use, and did you find it improved the drink, compromised it, or had no discernible effect?

Pegu Club
1½ oz. Gin
¾ oz. Triple Sec or Curaçao
¾ oz. Lime Juice
2 dashes Angostura Bitters OR 1 dash Angostura Bitters and 1 dash Orange Bitters

Shake with ice. Strain into a chilled cocktail glass.

Question: Is this better with both Angostura and orange, or with just Angostura?

Seelbach
1 oz. Bourbon (~50% ABV preferred)
½ oz. Triple Sec
7 dashes Angostura Bitters
7 dashes Peychaud's Bitters
3-4 oz. Sparkling Wine

Stir all but the wine with ice. Strain into a chilled flute and fill with sparkling wine. Garnish with an orange twist.

OR

Chill all ingredients. Combine bourbon, triple sec, and bitters in a flute and stir, then fill with sparkling wine. Garnish with an orange twist.

Question(s): Which way did you prepare it, and did you enjoy it? What was the proof of the bourbon you used, and did the whiskey flavor come through enough (or too much) for your tastes?

Vodka Espresso
2 oz. Vodka
1 oz. Fresh Espresso
½ oz. Coffee Liqueur
½ oz. Simple Syrup

Shake until foamy. Strain into a chilled cocktail glass. Garnish with three coffee beans, if available.

OR

1½ oz. Vodka
1 oz. Fresh Espresso
¾ oz. Coffee Liqueur

Shake until foamy. Strain into a chilled cocktail glass. Garnish with three coffee beans, if available.

Question(s): Which variation did you use? Did you find it overly sweet or not sweet enough? Too spirit-forward or not spiritous enough?

Vodka Sour
1½ oz. Vodka OR 2 oz. Vodka
1 oz. Simple Syrup
¾ oz. Lemon Juice

Shake. Serve up.

Question(s): Is this better with the additional ½ oz. of vodka, or without? And is the below version perhaps even better?

‘Lemon Drop’
1½ oz. Vodka
½ oz. Simple Syrup
½ oz. Triple Sec or Curaçao
½ oz. Lemon Juice

Shake. Serve up.

Whiskey Sour
2 oz. Bourbon
¾ oz. OR 1 oz. Simple Syrup
¾ oz. Lemon Juice

Shake. Serve down.

Question: Is this better with ¾ or 1 oz. of simple syrup?

How to Invent a Cocktail, Part VI of VI

(Recently, my friend Luke quietly published a book of poetry. It's called Abacus, and you can buy or download it here. I created a signature cocktail for the launch party, and because I sometimes get asked how I go about inventing a new cocktail, I thought you might like to see my thought process for this one. It's a longish story, so I've broken it up into six pieces, each of which will be a separate post and conclude with a recipe. Last week's chapter, "Trusting your gut, even when your gut just gave you every reason not to." can be found here.)

Chapter 6: Reaching a recipe by technique and tinkering.
Cognac ended up being a really good choice, and very little more was required besides mucking around with the proportions. I left the absinthe out, kept the Peychaud's in, traded the lemon twist for lemon juice, and held onto the kirschwasser as the star ingredient. I also added simple syrup, which deserves a story of its own.

For a long time, I thought of simple syrup as existing for the primary purpose of making drinks sweeter. And I suppose that's technically true, but it's not the only thing it does in a cocktail, and in many cases it isn't the most noticeable or the most important. Given how long I've been at this and the whole scientific research thing, it surprises me that it took me so long to appreciate the other benefits of simple syrup.

First of all, it affects the mouthfeel of the drink. Simple syrup adds viscosity, and it doesn't take a lot to make the drink as a whole feel richer and fuller-bodied. If you try using different concentrations of simple syrup (e.g., 2 parts sugar to 1 part water, instead of 1:1), you'll notice that the same volumes have different effects on the texture and feel of the drink. We often forget it, but cocktails are a tactile experience, too.

Second, sweetness affects your perception of other flavors present in the recipe. There's a theory that your body interprets the sugar as a sign that this is good, calorie-dense food, heightening your awareness of things like, for instance, the fruity flavors of raisin and cherry in this drink. It also seems to round out sourness, which may be why we add sugar to drinks that use citrus juice. We don't have a perfect, complete map of the changes in perceived flavor due to added sugar (at least, not that I know of), but if you find yourself working on a recipe that seems to be just a little bit off, and you aren't sure what's the matter, try adding a quarter of an ounce of simple syrup and see if that improves it.

That was the technique I used, and it paid off so well I ended up doubling it. After some tinkering with the other proportions, I settled on a recipe I was very happy with. The color ends up being a warm, slightly red- or orange-tinted amber, reminiscent of the old streetlights with sodium bulbs. That tipped the scales, and the drink officially became the Nightglow.

Nightglow
2 oz. Cognac
1/2 oz. Kirschwasser
1/2 oz. 1:1 Simple Syrup
1/4 oz. Fresh Lemon Juice
2 dashes Peychaud's Bitters
Shake all ingredients with ice. Strain into a chilled coupe glass and serve.

I designed this using Courvoisier, which is my go-to cocktail Cognac and makes this a damn fine drink. Most of the Cognacs you'll come across can be substituted for one another, but I find that Hennessy has a harsh overtone and too much wood, and so I try to avoid using it unless the recipe specifically benefits from those elements.

Having said that, at the launch party for Abacus, there was one bottle each of Hennessy and Courvoisier, and I decided I'd rather use a 50:50 blend in each drink than have 100% Courvoisier at the beginning of the night and 100% Hennessy at the end. I was very pleasantly surprised by the results. So if you're the sort of person who keeps multiple cocktail Cognacs in your house, you should give this a try with an ounce of each. (And we should be friends!)

That's all for this series! If you've got a reason to commission a cocktail recipe from me - whether it's for an important person in your life, a special occasion, or the hell of it - this is the kind of process I'll go through to make it. Email info@herzogcocktailschool.com if you'd like one of your very own!

Vieux Carré

Vieux Carré (dry)

1 oz. rye whiskey
1 oz. Cognac
1 oz. dry vermouth
2 barspoons Bénédictine
2 dashes Angostura bitters
2 dashes Peychaud’s bitters

Stir before adding bitters. Serve neat or with ice, as you prefer.

I’ve been wanting to put this one up for a while. I made these left, right, and center while Mardi Gras was upon us, but they were going down so fast I never got a photo of one. Until now!

"Vieux Carré" is the French name for what Anglophones would call the French Quarter, New Orleans’s oldest, most famous neighborhood. The Vieux Carré is not New Orleans’s most famous cocktail, that honor probably falling to the Sazerac, but it was invented there, at the Carousel Bar of the Hotel Monteleone.

This is a nice cocktail in that all of the recipes are very similar. It’s not quite as formulaic as the Negroni, but it’s reasonably easy to get in your head. Start with equal parts of whiskey, brandy and vermouth. Add a spoonful or so of Bénédictine, then top with equal parts of Angostura and Peychaud’s (ordinarily one or two dashes). All the recipes I’ve seen for the Vieux Carré can be described like this, although they quibble over the precise numbers. Mine is more Bénédictine-heavy than most, but, hey, I like Bénédictine.

The Vieux Carré is most commonly found with sweet vermouth. I have to credit Ted Haigh’s Vintage Spirits and Forgotten Cocktails with the knowledge that it can be made with the dry stuff as well. It’s a perfect one-for-one substitution. That’s not always the case - Jon and I had to do a lot more doctoring when we tried to make a dry Americano. But in this case, don’t stress about your vermouth. I just use whichever I feel like that day, or in this case, happen to have on hand.

According to Haigh, this drink had been forgotten at the Carousel Bar itself, until very recently. I’m happy to report that this is no longer the case. The Carousel Bar is, in fact, where I first met the Vieux Carré, during Tales of the Cocktail in 2012.

Peychaud’s Bitters

Very happy to announce I’ve gone out and gotten myself a bottle of Peychaud’s. It’s about time - they’ve been around for two hundred years.

Peychaud’s is the signature bitters of New Orleans, and is essential in both the Sazerac (whose namesake company now produces the bitters) and the Vieux Carré. Followers of the blog may remember a version of that second drink I put up a while back, substituting cardamom bitters for the Peychaud’s. That’ll work in a pinch, but it’s not the same.

Peychaud’s’s flavor profile (there’s got to be a better way to render that possessive) hits anise and cherry notes most strikingly. In addition to being a storied bitters that is often specifically called for, it makes a fun variation for Old Fashioneds, Manhattans, or really anything that calls for bitters. I’m going to enjoy playing around with it.